https://contactimpro.org/ Une invitation au lâcher-prise dans un havre de paix. Danser, expérimenter les lois de la gravité, du momentum et de l'équilibre, voilà le contact improvisation. fr SPIP - www.spip.net https://contactimpro.org/local/cache-vignettes/L144xH89/siteon0-2097f.png?1765475382 https://contactimpro.org/ 89 144 https://contactimpro.org/?Bibliotheque https://contactimpro.org/?Bibliotheque 2020-01-01T17:30:00Z text/html fr Loïs Darie <p>Les documents sont disponibles au studio 303 pendant les classes et le jam du dimanche.</p> - <a href="https://contactimpro.org/?-Bibliotheque-131-" rel="directory">Bibliothèque</a> <img src='https://contactimpro.org/local/cache-vignettes/L150xH89/arton1222-93423.png?1765488795' class='spip_logo spip_logo_right' width='150' height='89' alt="" /> <div class='rss_texte'><p><span style="color:#005DBF;"><strong>Il est maintenant possible d'emprunter des livres, vidéos ou des cartes sur le Contact Improvisation.</strong></span></p> <p>Vous avez la possibilité d'emprunter pour une durée d'une semaine le document choisi. Les documents sont disponibles dans un casier au studio 303 pendant les classes et le jam du dimanche. <br> <strong class="caractencadre2-spip spip">Pour la prise d'un document ou toutes questions svp veuillez écrire à :<br class='autobr' /> <a href="mailto:archives@contactimpro.org" class="spip_mail">archives@contactimpro.org</a></strong></p> <p>En cas de perte du document, vous devrez rembourser la valeur totale à l'ACI. <br> <br> <strong class="caractencadre2-spip spip">Voici la liste des documents disponible :</strong><br></p> <hr class="spip" /> <p>1-</p> <figure class='spip_document_1544 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L116xH155/material-for-the-spine-steve-paxton-_dvd-rom_-38b9c.jpg?1765488795' height='155' width='116' alt='02. Steve Paxton' /></figure> <p><strong>Material for the Spine - Steve Paxton (DVD-ROM)</strong><br> <br> <i>A Movement Study</i><br> <br> <strong>Produced by Contredanse</strong><br> <br> In 1986, dancer Steve Paxton began examining the spine he had observed in the practice of Contact Improvisation, a duet … <br class="clear" /> <br></p> <hr class="spip" /> <p>2-</p> <figure class='spip_document_1545 spip_documents spip_documents_right media media_image media_image_jpg' style='float:right;'><img src='https://contactimpro.org/local/cache-vignettes/L116xH162/videodadvd-2014-cropped-fedcd.jpg?1765488795' height='162' width='116' alt='02. Vidéoda CI' /></figure> <p><br> <strong>Videoda Contact Improvisation Archive (DVD)</strong><br> <br> <i>Collected Edition 1972 – 1983</i><br> <br> VIDEODA, a project of Contact Collaborations, Inc., archives performance documents of Contact Improvisation from its inception in 1972. <br class="clear" /> <br></p> <hr class="spip" /> <p>3-</p> <figure class='spip_document_1556 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L303xH233/thetimecnadja-meister_img_9174-convertimage-ebf3d.jpg?1765488795' height='233' width='303' alt='02. Martin Keogh' /></figure> <p><br> <strong>The Earth is Breathing You</strong><br> <br> <i>Writing on Contact Improvisation</i><br> <strong>by Martin Keogh</strong> <br class="clear" /> <br></p> <hr class="spip" /> <p>4-</p> <figure class='spip_document_1546 spip_documents spip_documents_right media media_image media_image_jpg' style='float:right;'><img src='https://contactimpro.org/local/cache-vignettes/L132xH204/contact-improvisation-e782a.jpg?1765488795' height='204' width='132' alt='03 Image CI' /></figure> <p><br> <strong>Contact Improvisation</strong><br> <br> <i>An Introduction to a Vitalizing Dance Form</i><br> <br> <strong>by Cheryl Pallant</strong> <br> In this book the author draws upon her own extensive experience and research to explain the art of contact improvisation, … <br class="clear" /> <br></p> <hr class="spip" /> <p>5-</p> <figure class='spip_document_1547 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L133xH187/on-the-edge-9e364.jpg?1765488795' height='187' width='133' alt='04. On the edge' /></figure> <p><br> <strong>On the Edge</strong><br> <br> <i>Dialogues on Dance Improvisation in Performance</i><br> <br> <strong>edited by Agnès Benoit</strong><br> Bilingual : English/French <br> Devoted to improvisation as a performance form, this book consists of 14 interviews with dancers/improvisers whose creative … <br class="clear" /> <br></p> <hr class="spip" /> <p>6-</p> <figure class='spip_document_1548 spip_documents spip_documents_right media media_image media_image_jpg' style='float:right;'><img src='https://contactimpro.org/local/cache-vignettes/L191xH190/encounters-with-contact-f9027.jpg?1765488795' height='190' width='191' alt='05. Encounters with Contact' /></figure> <p><strong>Encounters with Contact</strong><br> <br> <i>Dancing Contact Improvisation in College</i><br> <br> <strong>edited by Ann Cooper Albright, et al.</strong><br> <br> Through a series of student writings and essays by established artists teaching in universities throughout the U.S., Encounters considers the … <br class="clear" /> <br></p> <hr class="spip" /> <p>7-</p> <figure class='spip_document_1549 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L179xH251/cq-contact-improvisation-25th-anniversary-sourcebook-3c3f3.jpg?1765488795' height='251' width='179' alt='06. CQ/Contact Improvisation 25th Anniversary Sourcebook' /></figure> <p><br> <strong>CQ/Contact Improvisation 25th Anniversary Sourcebook</strong><br> <br> <i>Collected Writings and Graphics from Contact Quarterly dance journal 1975-1992</i><br> <br> <strong>Eds : Nancy Stark Smith & Lisa Nelson</strong><br> <br> This is the first volume of writings reprinted fromContact Quarterly dance journal concerning the practice of contact improvisation, … <br class="clear" /> <br></p> <hr class="spip" /> <p>8-</p> <figure class='spip_document_1550 spip_documents spip_documents_right media media_image media_image_jpg' style='float:right;'><img src='https://contactimpro.org/local/cache-vignettes/L318xH194/caught-falling-c1721.jpg?1765477607' height='194' width='318' alt='01. Caught Falling' /></figure> <p><strong>Caught Falling</strong><br> <br> <i>The Confluence of Contact Improvisation, Nancy Stark Smith, and Other Moving Ideas</i><br> <br> <strong>by David Koteen, Nancy Stark Smith<br> with a Backwords by Steve Paxton</strong><br> <br> The inside-out of dancer/ Contact Quarterly editor Nancy Stark Smith's life as seen through the kaleidoscope of her thirty-six year … <br class="clear" /> <br></p> <hr class="spip" /> <p>9-</p> <figure class='spip_document_1551 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L230xH170/86-on-wood2_1_-49ee7.jpg?1765488795' height='170' width='230' alt='08. 86 Aspects of Composition' /></figure> <p><br> <strong>86 Aspects of Composition</strong><br> <br> <i>a tool for open-ended creative research<br> (deck of cards)</i><br> <br> <strong>by Mike Vargas</strong>. Adapted from Mike Vargas's article, “Looking at Composition is Like Painting the Golden Gate Bridge : 86 Aspects of Composition,” published … <br class="clear" /> <br></p> <hr class="spip" /> <p>10-</p> <figure class='spip_document_1552 spip_documents spip_documents_right media media_image media_image_jpg' style='float:right;'><img src='https://contactimpro.org/local/cache-vignettes/L300xH225/terp-pics-2017-a8e34-797dd.jpg?1765488795' width='300' height='225' alt='09. Terpsichore's Deck' /></figure> <p><br> <strong>Terpsichore's Deck</strong><br> <br> <strong>by Eliza Larson</strong><br> <br> Terpsichore's Deck (named after the muse of dance) is an instructional and inspirational creative text for novice and advanced dance … <br class="clear" /> <br></p> <hr class="spip" /> <p>11-</p> <figure class='spip_document_1597 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L300xH202/image_video_fives_way_in-a826d-1046a.jpg?1765488795' width='300' height='202' alt='02.' /></figure> <p><strong>Five ways In -Documentary on Contact Improvisation (Vidéo)</strong><br> <br></p> <p> 'Five Ways In' tells the stories of five people and their journeys through the Freiburg International Contact Improvisation dance festival. It is a collaboratively made documentary, one hour long, that was inspired by many conversations and consultations within the contact improvisation dance community. <br class="clear" /> <br></p></div> https://contactimpro.org/?Library https://contactimpro.org/?Library 2020-01-01T17:30:00Z text/html en Loïs Darie <p>Documents are available at Studio 303 during Sunday classes and jam.</p> - <a href="https://contactimpro.org/?-Bibliotheque-131-" rel="directory">Library</a> <img src='https://contactimpro.org/local/cache-vignettes/L150xH89/arton1225-ef80b.png?1765488795' class='spip_logo spip_logo_right' width='150' height='89' alt="" /> <div class='rss_texte'><p><span style="color:#005DBF;"><strong>It is now possible to borrow books, videos or cards on Contact Improv.</strong></span></p> <p>You have the option to borrow for a period of one week the chosen document. Documents are available in a locker at Studio 303 during Sunday classes and jam. <br></p> <p><strong class="caractencadre2-spip spip">For taking a document or any questions please write to:<br class='autobr' /> <a href="mailto:archives@contactimpro.org" class="spip_mail">archives@contactimpro.org</a></strong> <br> <br> <strong class="caractencadre2-spip spip">Here is the list of available documents:</strong><br></p> <hr class="spip" /> <p>1-</p> <figure class='spip_document_1544 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L116xH155/material-for-the-spine-steve-paxton-_dvd-rom_-38b9c.jpg?1765488795' height='155' width='116' alt='02. Steve Paxton' /></figure> <p><strong>Material for the Spine - Steve Paxton (DVD-ROM)</strong><br> <br> <i>A Movement Study</i><br> <br> <strong>Produced by Contredanse</strong><br> <br> In 1986, dancer Steve Paxton began examining the spine he had observed in the practice of Contact Improvisation, a duet … <br class="clear" /> <br></p> <hr class="spip" /> <p>2-</p> <figure class='spip_document_1545 spip_documents spip_documents_right media media_image media_image_jpg' style='float:right;'><img src='https://contactimpro.org/local/cache-vignettes/L116xH162/videodadvd-2014-cropped-fedcd.jpg?1765488795' height='162' width='116' alt='02. Vidéoda CI' /></figure> <p><br> <strong>Videoda Contact Improvisation Archive (DVD)</strong><br> <br> <i>Collected Edition 1972 – 1983</i><br> <br> VIDEODA, a project of Contact Collaborations, Inc., archives performance documents of Contact Improvisation from its inception in 1972. <br class="clear" /> <br></p> <hr class="spip" /> <p>3-</p> <figure class='spip_document_1556 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L303xH233/thetimecnadja-meister_img_9174-convertimage-ebf3d.jpg?1765488795' height='233' width='303' alt='02. Martin Keogh' /></figure> <p><br> <strong>The Earth is Breathing You</strong><br> <br> <i>Writings on Contact Improvisation</i><br> <strong>by Martin Keogh</strong> <br class="clear" /> <br></p> <hr class="spip" /> <p>4-</p> <figure class='spip_document_1546 spip_documents spip_documents_right media media_image media_image_jpg' style='float:right;'><img src='https://contactimpro.org/local/cache-vignettes/L132xH204/contact-improvisation-e782a.jpg?1765488795' height='204' width='132' alt='03 Image CI' /></figure> <p><br> <strong>Contact Improvisation</strong><br> <br> <i>An Introduction to a Vitalizing Dance Form</i><br> <br> <strong>by Cheryl Pallant</strong> <br> In this book the author draws upon her own extensive experience and research to explain the art of contact improvisation, … <br class="clear" /> <br></p> <hr class="spip" /> <p>5-</p> <figure class='spip_document_1547 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L133xH187/on-the-edge-9e364.jpg?1765488795' height='187' width='133' alt='04. On the edge' /></figure> <p><br> <strong>On the Edge</strong><br> <br> <i>Dialogues on Dance Improvisation in Performance</i><br> <br> <strong>edited by Agnès Benoit</strong><br> Bilingual: English/French <br> Devoted to improvisation as a performance form, this book consists of 14 interviews with dancers/improvisers whose creative … <br class="clear" /> <br></p> <hr class="spip" /> <p>6-</p> <figure class='spip_document_1548 spip_documents spip_documents_right media media_image media_image_jpg' style='float:right;'><img src='https://contactimpro.org/local/cache-vignettes/L191xH190/encounters-with-contact-f9027.jpg?1765488795' height='190' width='191' alt='05. Encounters with Contact' /></figure> <p><strong>Encounters with Contact</strong><br> <br> <i>Dancing Contact Improvisation in College</i><br> <br> <strong>edited by Ann Cooper Albright, et al.</strong><br> <br> Through a series of student writings and essays by established artists teaching in universities throughout the U.S., Encounters considers the … <br class="clear" /> <br></p> <hr class="spip" /> <p>7-</p> <figure class='spip_document_1549 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L179xH251/cq-contact-improvisation-25th-anniversary-sourcebook-3c3f3.jpg?1765488795' height='251' width='179' alt='06. CQ/Contact Improvisation 25th Anniversary Sourcebook' /></figure> <p><br> <strong>CQ/Contact Improvisation 25th Anniversary Sourcebook</strong><br> <br> <i>Collected Writings and Graphics from Contact Quarterly dance journal 1975-1992</i><br> <br> <strong>Eds: Nancy Stark Smith & Lisa Nelson</strong><br> <br> This is the first volume of writings reprinted fromContact Quarterly dance journal concerning the practice of contact improvisation, a … <br class="clear" /> <br></p> <hr class="spip" /> <p>8-</p> <figure class='spip_document_1550 spip_documents spip_documents_right media media_image media_image_jpg' style='float:right;'><img src='https://contactimpro.org/local/cache-vignettes/L318xH194/caught-falling-c1721.jpg?1765477607' height='194' width='318' alt='01. Caught Falling' /></figure> <p><strong>Caught Falling</strong><br> <br> <i>The Confluence of Contact Improvisation, Nancy Stark Smith, and Other Moving Ideas</i><br> <br> <strong>by David Koteen, Nancy Stark Smith<br> with a Backwords by Steve Paxton</strong><br> <br> The inside-out of dancer/ Contact Quarterly editor Nancy Stark Smith's life as seen through the kaleidoscope of her thirty-six year … <br class="clear" /> <br></p> <hr class="spip" /> <p>9-</p> <figure class='spip_document_1551 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L230xH170/86-on-wood2_1_-49ee7.jpg?1765488795' height='170' width='230' alt='08. 86 Aspects of Composition' /></figure> <p><br> <strong>86 Aspects of Composition</strong><br> <br> <i>a tool for open-ended creative research<br> (deck of cards)</i><br> <br> <strong>by Mike Vargas</strong>. Adapted from Mike Vargas's article, “Looking at Composition is Like Painting the Golden Gate Bridge: 86 Aspects of Composition,” published … <br class="clear" /> <br></p> <hr class="spip" /> <p>10-</p> <figure class='spip_document_1552 spip_documents spip_documents_right media media_image media_image_jpg' style='float:right;'><img src='https://contactimpro.org/local/cache-vignettes/L300xH225/terp-pics-2017-a8e34-797dd.jpg?1765488795' width='300' height='225' alt='09. Terpsichore's Deck' /></figure> <p><br> <strong>Terpsichore's Deck</strong><br> <br> <strong>by Eliza Larson</strong><br> <br> Terpsichore's Deck (named after the muse of dance) is an instructional and inspirational creative text for novice and advanced dance … <br class="clear" /> <br></p> <hr class="spip" /> <p>11-</p> <figure class='spip_document_1597 spip_documents spip_documents_left media media_image media_image_jpg' style='float:left;'><img src='https://contactimpro.org/local/cache-vignettes/L300xH202/image_video_fives_way_in-a826d-1046a.jpg?1765488795' width='300' height='202' alt='02.' /></figure> <p><strong>Five ways In -Documentary on Contact Improvisation (Vidéo)</strong><br> <br></p> <p> 'Five Ways In' tells the stories of five people and their journeys through the Freiburg International Contact Improvisation dance festival. It is a collaboratively made documentary, one hour long, that was inspired by many conversations and consultations within the contact improvisation dance community. <br class="clear" /> <br></p></div>